by Lisa Barr
|Arcade Publishing, 2014
Set in Europe on the cusp of World War II, Lisa Barr’s Fugitive Colors is the story of Julian Klein, a boy who breaks free from a culture and lifestyle not conducive to his art by moving across the Atlantic, from Chicago to Paris, to grow as an artist. There he falls in with a group of artists who serve as his teachers and his inspiration. There is the couple Adrienne and Rene, two talented artists, and also Felix, whose inferior skills become apparent as the group gets instruction from famed artists and begin to show their work in galleries and elsewhere. As Julian becomes embedded deeper into their social circle, dissentions within the group threaten to tear the friends apart—jealousies between old friends, new feelings of love and lust. The introduction of a new character, the beautiful and sensual model Charlotte, is the beginning of the end. It finally breaks the tenuous connections between the artists. Then comes the rise of Hitler, the fear of punishment for those in the art world, and the conversion of one of their own into an enemy of the art they create.
Barr’s knowledge of both art and history is present throughout the novel. Her four years of research for this book combined with her compelling characters (whom she calls composites of real artists, real art dealers, and real Nazis) make this book enjoyable for all, even those with little familiarity of the art world. This book will broaden any reader’s comprehension of such a fascinating group of people during the tragedy of Hitler’s tyranny.
Fugitive Colors spans the lifetime of the narrator Julian. As with many worthwhile books Julian does not at first appear to be the most interesting or even the most talented character. Deserving of being called most talented would be Rene, a fact that fuels Felix’s jealousy, although Julian’s art does hold promise. Julian is passive, allowing the other character’s dramas to take precedent over his own talent and feelings. In the end, though, it is arguable as to which of the main characters is most deserving of being recognized as the most dynamic character, which is a testament to Barr’s ability to craft dynamic people within her story.
The novel begins with a thief stealing a book from a library. This event opens up the novel with energy that never slackens. Never once does Barr allow the reader to believe the characters will be safe for even a moment. Tension is braided into each page; even during parts of the book where the character is not in immediate danger, Barr is setting up future complications. For example, upon Julian’s arrival in Paris, as he is meeting his future friends, seemingly small interactions between the characters tempt the reader with the possibility of a love triangle. Julian admires Charlotte and yearns to paint her, attention she returns with a subtle smile despite the presence of her boyfriend. Starting with this instance the book never slows down, from betrayals within the group to threats from others. When it seems as though the characters struggles have been pushed to their limits, loyalties change and the reader knows that no one is to be trusted.
The descriptions of the paintings that the characters create are one of the most compelling parts of the book. The first time Julian witnesses Rene and Felix paint is a whirlwind of color that captivates the reader in their passion for art:
Rene began to caress the wall with midnight blue pigment, lightly dragging his brush across the white plaster, creating an undulated effect. He added in light dabs of orange, and the texture changed completely… He swept from left to right, blending in various shades of yellow, green, and red into the blue. Each stroke, each poetic movement, was mesmerizing.
This loving way of writing about their art is kept up through the very last pages of the book when Julian’s art is viewed through the eyes of a character in particular need of inspiration as the story comes to a touching and hopeful conclusion.
Barr creates dynamic characters that the reader can love and hate while weaving together a complex plot. As Fugitive Colors educates the reader on art history, the book gives the reader a portrait of how far a character can be pushed while under duress, both physically and emotionally. In the end, Fugitive Colors is about resiliency in one’s passion for art as well as resiliency in friendship and love.