Dance Review: Continuum Dance Theater at the Three Rivers Arts Festival

Reviewed by Adrienne Totino

After a week of on and off rain that is typical for Pittsburgh’s annual Three Rivers Arts Festival, the sun shone brightly on Point State Park for Saturday’s activities.

As one of the final dance performances of the week, Continuum Dance Theater hit the Second Stage at Gateway Center to perform an excerpt of their latest work, “Objects of DESIRE.”

The piece will premiere in full at the New Hazlett this December, as part of the theater’s first ever “CSA: Artist Harvest” performance series. Through interviews with local community members, the company has gathered material about what we desire most in life to inspire their choreography.

For an audience of mostly festival patrons (with a few familiar dancer faces), Continuum showed a small section of their work, but also polled us on our own “American Dream,” using those answers to inform their movement.

To start, dancer Jess Marino lay buried in a heap of bras, eventually digging her way out and performing a solo amongst the sexy lingerie. The image brought to mind the unfortunate reality of women as sexual “objects.” Shana Simmons joined her and the two continued in a duet that took them right off the small stage and into the audience. Despite the concrete and lack of space, they managed to show off their partnering skills and even some floor work.

After the short excerpt, the audience was asked to write down something that they desired in the past, right now, and for the future. From the collection of responses, Marino and Simmons chose a few words and promised to incorporate them into a movement section they would perform near the end of their hour long set.

Before that, they gave the audience another chance to influence the show. In a game of improvisation, a few patrons were given small signs, each with one word written in large print – balance, pursuit, union, consistency, and others. During that section, audience members held up their signs, one at a time, and the dancers let that particular word affect their movement. For example, during “balance,” they teetered precariously from the edge of the stage, mostly dancing on one leg.

To finish the show as promised, Marino and Simmons revealed their chosen responses to the question of what we, as an audience, truly desire. They picked several meaningful answers: a family, wisdom, true happiness. And some humorous: girls, a bigger butt.

With those words in mind, they performed the same excerpt they began with, using our responses to change the quality of their movement. One moment resembled “wisdom,” when Simmons perched thoughtfully at the edge of the stage. And there was definitely a nod to “bigger butt,” when Marino shook her not-so-large backside center stage.

Among the visual art that fills the festival, it was nice to have live performance also included. To be a part of Continuum’s choreographic process was clearly fun for everyone who eagerly watched, nodded, and applauded as the dancers simultaneously educated and entertained us.


Check out the Continuum Dance Theater website for details of the full-length show this December:


Filed under: Adrienne Totino, Prose, Reviews: Performing Arts