Dance Review: Blink by Gia T. Presents
It might be an oxymoron to say that Gia Cacalano is both a throwback and an innovator, quietly claiming her place on the Pittsburgh dance scene. But part of me was transported to Greenwich Village circa 1963 Saturday night, where the Judson Dance Theater met in rejection of modern dance restrictions of the time.
“BLINK,” a multimedia dance happening was performed at the Wood Street Galleries downtown and also brought a glimpse into the future. Gia T. Presents, Cacalano’s ensemble, performed in and around the gallery’s latest installation. “In Transit” largely used technology to transform the space with unusual light projection against the stark white floor and walls.
At Judson there weren’t any MacBooks involved, but the live atmospheric sound of Cacalano’s five musicians evoked a John Cage feel with their electronic beats, non-traditional instruments and interspersed moments of silence.
Both the music and the dance were entirely improvised. Although two of the dancers came in from out of town, only rehearsing with the ensemble for a few days, the cast came together brilliantly.
One highlight transpired when Vincent Cacialano (from Amsterdam and England), and Wendell Cooper (from New York) engaged in a powerful duet. The two men exploded through the space with the athleticism of a breakdancer and grace of a ballerina. Difficult to imagine? Picture them diving into the floor, pressing into handstands and leaping through the space without bravado or gimmicky tricks.
Ms. Cacalano and female counterpart, Jil Stifel, were equally mesmerizing. With intricate floor work and quick moments of partnering, the two sensed each other with the highly tuned focus of seasoned improvisors. Shadows raced across the ceiling like storm clouds over a black sky. Text and street sound layered the musical blend of percussion, horns and vibes.
When the four dancers came together, they seemed to be of the same body. Bathed in white, blue and fluroescent green light from the installation, they shared a whimsical, otherwordly quality. Like abstract visual art, the piece was open to the interpretation of each audience member. I saw elements of exploration and awakening in the rise and fall of their bodies and fluidity of their transitions.
Pittsburgh dancer, or “moving installation,” Allie Greene, bookended the evening by introducing the dancers and acknowledging their end. Costumed in bubble wrap, the silvery glow gave her a futuristic and omniscient feel.
“BLINK” succeeded in many ways. Cacalano chose an ensemble with equal skill and matching style, while managing to showcase each dancer’s individuality. The show had a performative quality that is oftentimes missing in improvisation. The ensemble proved that to execute dance spontaneously at a professional level, one’s skills and technique must be honed.
As an accomplished performer with a vintage feel, Cacalano brought to mind a venerable era in modern dance, with the promise to advance the future of this lesser known style.