Book Review: KUBRICK RED by Simon Roy

Kubrick Red
by Simon Roy
trns. Jacob Homel
Anvil Press

In his memoir Kubrick Red, Simon Roy presents readers with a beautifully honest account of his family history, revealing the past in tandem with facts about Stanley Kubrick’s The Shining. As Roy’s debut memoir, Kubrick Red was translated from French to English by Jacob Homel and received the Independent Publisher Book Award for Best First Book—Nonfiction. The award is only fitting for such a unique and memorable work. Admittedly obsessed with Kubrick’s film because of its eerie relationship to his family’s story, Roy has penned a horde of behind-the-scenes facts about The Shining that complement his memoir. He has perfected a delicate balance between film buff trivia and personal narrative, ensuring readers’ growing emotional investment in the story.

Skillfully echoing The Shining’s unnerving progression, Roy’s story builds its shock value and poignancy with increasing velocity. “My deep examination of this magisterial work is akin to spooling out a thread behind me,” Roy explains of his favorite film. At first, Roy’s efforts to compare his own life to such an infamous thriller seem impossibly dramatic. But as the book continues, movie trivia subtly informs his family history. Roy keeps readers in the dark about his family past just like the film steadily divulges the Overlook hotel’s history. It is not until halfway through the book that readers learn Roy’s mother had a twin sister. Roy then delves into the question: “Does fiction simply mirror an increasingly violent reality, or does it stoke the flames by inspiring increasingly barbaric acts?” He demonstrates how The Shining broaches the theme of mirrored or inspired violence through the use of twins, doubles, and repetition.

Clearly, the idea of cyclical trauma is replicated in Roy’s family narrative. His mother and her twin are only the simplest connection. Roy also explains that his mother’s depression was the result of psychological trauma, causing her to “repeatedly relive the pain [she] underwent,” another representation of cycles similar to The Shining’s plot repeating past events. In this way, the movie facts and Roy’s personal life synergistically construct a complex narrative, each chapter piecing together readers’ understanding of the material. Roy’s choice to include specific film facts prevents family drama from appearing overbearing and cleverly allows the story to intensify, mimicking the film.

Not only did this book make me want to return to The Shining, it also gave me the most original and personal account of mental illness that I have read to date. This was not a generalization of depression and mental instability forced on a character. It was a sincere portrayal of psychological trauma and how it can affect an individual and generations to follow. Dedicated to his mother, Roy’s story chronicles her lifelong depression, reflecting on events from his childhood to more present years with an evolved understanding of the disease. Roy is adept at placing his readers in a scene and subtly shifting the focus to a mature emotional standpoint on the experience. “Above us, on the next floor up, an apathetic woman in her early forties was in her bedroom. My mother slept like the dead, knocked out more than numbed by Ativan. And I, the self-centered virgin, kissed a girl for the first time,” he writes, using simple observations and juxtaposition to portray regret and new found sympathy for his mother’s struggle.

As a work of translation, Kubrick Red seems to stay true to the original manuscript thanks to its translator, Jacob Homel. Homel’s efforts to ensure that the translation is as genuine as possible are evident and honorable, especially considering the profoundly personal content of the book. At times, adjectives and descriptors were noticeably precise, like when Roy described his mother saying, “She was a mix of intuition, desperate solitude, and feminine sensitivity.” The specificity of these adjectives, or phrases like “birthing home,” seemed to be evidence of a very conscious and thoughtful translation. This only served to strengthen readers’ connection to Roy as a narrator.

Obviously, this is a book any fan of The Shining could dive into. But aside from that, it is a truly fresh memoir that should not be missed by readers in general. Kubrick Red is the kind of book that, like its movie inspiration, will leave you thinking for days. In a way, the novel will haunt its readers after they put it down, if not because of the horrific details then certainly because of its originality and ability to connect with its audience.


Filed under: Book Review, Prose