|An Accident of Stars
by Foz Meadows
|Angry Robot Books, 2016
An Accident of Stars is the kind of fantasy novel that’s been a long time coming. As more and more articles pour out about bias in science fiction and fantasy, citing lack of diversity—both in the gender and race of the author and main characters— it’s nice to see new stories and voices emerging. Genderqueer author Foz Meadows achieves wonderful diversity in her first novel of the Manifold Worlds, creating characters that are resilient, likeable, and completely original.
The novel opens with Saffron, an average high schooler in the modern era. Wasting no time to make a statement, Meadows plays out a scene many young women are familiar with: casual sexual harassment and the subsequent underwhelming response by those in power. Admittedly, this book does have instances where such statements are a bit heavy-handed. For example, on page 185, Meadows writes:
It required more mental agility than Saffron currently possessed to instantly confer identical status on a fourteen-year-old brown girl who was shorter than she was. Not, she thought hastily, that race has anything to do with it. The thought that it might, even a little, left her feeling deeply uncomfortable… “Not seeing Viya as a queen because she’s not white is racist,” she whispered into the pillow. “I’m being racist. Stop it.” She felt bad because it was true… if she didn’t admit she was doing something wrong in the first place, how could she possibly fix it?
Such bluntness isn’t uncommon in fantasy novels. Terry Goodkind’s novel, Faith of the Fallen, has often been cited for heavy political undertones and outright political messaging. While this heavy-handedness isn’t tiresome, it’s worth noting that Meadows does set out to tackle some uncomfortable conversations in her novel.
It’s significant also that all the major characters, including the main antagonist, are female. The normal setup is reversed. The group of unlikely heroes contains only one male character, who has a support role. It’s fascinating, as an avid reader of fantasy, to see this implemented so seamlessly. Meadows’ characters are vibrant individuals who command attention and authority. There are no one-dimensional characters here. It begs the question; does anything change when the roster is made up almost entirely of women instead of men? Yes and no, which is exactly the brilliance in Meadows’ decision. As readers, we see women (especially women of color) with qualities such as strength, control, and adaptability. Their versatility is both natural and inspiring. Yet, this doesn’t change the traditional narrative much because these characters are still adventurers, facing challenges the way any protagonist might. Their creative solutions and their unique personalities aren’t determined by their gender, but by the merit of their individuality.
The story itself follows a classic “defeat the monster” plotline, but the challenges on that path again draw on Meadows’ aptitude for women, and the metaphors she creates are characteristic of the current feminine climate. When Saffron embarks on a test to join the upper ranks of an all-women council, she’s faced with beasts. To defeat them, she must reach inside herself and find the courage to overcome adversity. In a very literal sense, she embodies a new, strong body and charges forward to victory. This resonates with something many women are familiar with, the forming of a tough hide to navigate the world, to fight for their rightful place, and earn their own way. It was wise of Meadows to utilize such a metaphor, instead of allowing her characters, like so many male versions before them, to run into battle brandishing only a legendary sword.
Finally, we must touch on Meadows’ unique magic system. While not thoroughly explained, the magic of Meadows’ fantasy world seems to rely heavily on the connections characters make with each other, which is different altogether from magic systems which flourish without interaction. This magic performs functions like healing, teaching language, and communicating across vast distances— things for which we have technology in our own world, and yet cannot function without human interaction. The point Meadows makes here is well-appreciated, and the parallels can’t be ignored. She not only comments on controversial topics like race and feminism, but also digs into our dependence on technology. The characters in the novel feel absolute agony when their magic is unavailable to them, and we as readers feel that, too, because it hinders the progress of the story. Stifled progress, whether in a fantasy novel or real life, is a roadblock to be overcome. While her statements about race and gender are sometimes overwrought, this statement is much subtler, which works in the book’s favor.
An Accident of Stars is a courageous, timely novel. Foz Meadows does a remarkable job tackling thought-provoking conversations while weaving together an interesting, full world headed by resilient women. I highly recommend it for any lover of fantasy.