Dance Review: Youth Moves at the Kelly-Strayhorn Theater

Friday night at the Kelly Strayhorn Theater (KST) came as a wonderful and relieving surprise. It had been a long time since I’d seen anyone under twenty take the dance stage. In the day and age of Dance Moms and So You Think You Can Dance, watching children and teens perform has become an all and out spectacle – mostly tricks and sexy outfits, without depth or artistry.

Thankfully, the pageant feel was non-existent in East Liberty over the weekend. YouthMoves, a program the KST began four years ago, brought to the stage five young companies from the Pittsburgh area, in an effort to give young dancers a professional performance opportunity.

To open the show, resident choreographer of the theater, Staycee Pearl, presented her pre-professional company, SPdp2. The group performed three short pieces, all in the contemporary style, with Pearl’s signature, but very subtle, infusion of hip-hop. Each dancer had their moment of solo material, and displayed impressive technical integration that often comes much later in a dancer’s career. The movement ranged from slow and deliberate, to more high energy, and included simple partnering and interesting gestures.

Elena’s Dancers Elite, a company located in North Huntingdon, PA, performed twice on the program. The group studies dance styles more typical of kids – tap, jazz, hip-hop, and ballet. Although competition companies oftentimes emphasize performance over technique, these young girls had both. Their first work was a high energy, jazzy routine without a “showboat” feel. The second was more lyrical, sweet without the sugar coating.

Visionary Dance Academy also presented two works. Their studio emphasizes technique, while allowing each student to recognize his/her own unique style. That individualism showed. In brightly colored costumes, this large group excited the audience with hip-hop, contemporary and African movement. The kids’ lively confidence imbued the theater, and their message of positivity uplifted everyone in attendance.

The second half of the show brought two distinctive styles, ballet and musical theater dance, to round out the program.

Mid-Atlantic Contemporary Ballet Company featured a trio of young girls. Their technical mastery was evident from the moment they began. Bathed in deep red lighting, they effortlessly moved from classically long lines, accentuated by pointe shoes, to more modern parallel legs and flexed feet. The piece was dramatic, solemn but not glum. The dancers were sophisticated performers without any of the shyness that comes with being onstage at that age.

To close the show, Alumni Theater Company wowed the audience with scenes from the hit musical, Rent. The troupe had just performed the full show at the New Hazlett Theater a week earlier. While the bigger group dance scenes were impressive, it was hard to ignore the talent of the three featured singers. The scenes “Out Tonight,” and “Tango: Maureen” were particularly animated. The performers proved that the lost art of singing and dancing simultaneously is still possible.

The energy in the audience left the theater buzzing with enthusiasm. A dance party broke out on the stage. A new wave of young dancers received their congratulations. And another successful dance event at the Kelly-Strayhorn came to an upbeat end.


Filed under: Adrienne Totino, Prose, Reviews: Performing Arts