Dance Review: LAWS OF ATTRACTION by Attack Theatre

For over two decades, Attack Theatre has transformed otherwise unknown Pittsburgh sites into ultra-creative performance spaces. In their latest work, Laws of Attraction, they took on an old auto body repair shop located in Uptown.

The two-act show was inspired by the study of science. About a year ago, the company taught creative movement classes to elementary students at Winchester Thurston. There, the science teacher asked if the dancers could center their lesson around “the complexity of bridges.” The concept grew from there, culminating in an almost two-hour long show.

Laws of Attraction featured five dancers, including Nile Alicia Ruff who joined the company most recently, and live musician (and painter), Ian Green. Under the direction of co-artistic directors, Michele de la Reza and Peter Kope, the performers used scientific concepts like weight transfer, structural supports, and counterbalance to build movement phrases. Like most Attack shows, props were used; however, exploring these themes with their bodies worked equally well.

No Attack show would be complete without the use of witty metaphor. The piece tied elementary classroom concepts to the nature of human relationships. Throughout the show, they played with phrases like, “Why does everything revolve around you?” And, “Nothing can pull us apart.”

The first half brought a healthy dose of partnering phrases that naturally invoked the science of kinesiology. Ashley Williams stood on top of Kaitlin Dann while the narrator (pre-recorded) declared, “I don’t understand why you’re always right on top of me.” Each dancer continued with individual solos in and out of the floor that left them breathless on their backs. The narrator spoke again. “You’re exhausting me; I’m tired of all these ups and downs.”

In another section, Anthony Williams placed magnetic shapes on a large metal door. The dancers then built similar shapes with their legs, arms, and torsos, darting about the space as the music crescendoed.

The women performed a memorable trio, each partnering with a ladder. The three of them took turns climbing it, cartwheeling inside of it, and jumping in and around it. Many duets also stood out. Dane Toney’s and Ruff’s extended lines complimented each other well. Anthony Williams and Dann played two patrons in a neighborhood bar, eyeing each other from across the room. Their short relationship ended with, “I’m sorry; I want to go in another direction.”

The second half brought signature Attack athleticism in the form of child-like play. In one section, the dancers performed on hover boards. Although long, the segment was mesmerizing. The boards waved as the dancers calmly snaked around one another, gesturing and turning the entire time. The choreography never resorted to trickery; rather, the group found ways to turn the obvious into artistic.

They did the same with a giant seesaw. Each took their turn on one side, investigating weight and simple physics. A lovely moment ensued when Dann and Ashley Williams found a counterbalance. To illustrate swing, climbing and falling, the dancers manipulated a dangling rope swing throughout the show. Both Ashley and Anthony Williams impressed the audience by climbing the rope in what felt like five seconds.

Most eloquent was how Attack managed to blend the exploration of relationships with the investigation of science. The ending led us back to the opening relationship, when Ashley Williams needed space from Dann. Their attraction couldn’t keep them apart. The two ended in an embrace. Perhaps our human attractions are mere chemistry.

Laws of Attraction was smart, entertaining, and easily educational for a classroom of students. Attack continues to create well-made dances with clever storytelling that compliments exciting and playful movement. Don’t miss the remainder of this performance run; see details below.

Laws of Attraction continues for one more weekend, April 27th-30th at 8:00 p.m. The shows are located at 300 Gist St., Uptown. Check the website for parking information and ticket costs:

Filed under: Adrienne Totino, Reviews: Performing Arts