Dance Review: ( ) by The Pillow Project

Reviewed by Adrienne Totino

In the dark quiet of late Saturday night, The Pillow Project welcomed an intimate crowd for their latest work, a study about distance and connection titled: ( ).

Director of the Project, Pearlann Porter, has always been curious about a relationship quality she refers to as “the space between us.” Her philosophical nature leads her to create work that is both inquisitive and passionate. Despite the lack of storyline that may confuse a non-regular audience member, everyone leaves feeling the emotion of the performers.

Although a distinct feeling comes through in all of Porter’s work, it is not because of any overdramatic performance style by the dancers. It’s actually the opposite. The movement is minimal, but the lighting, set-up and music always provide a meaningful tone.

This show opened with three couples, each wrapped in an embrace, under individual and very dim spotlights. Pedestrian and street sounds accompanied their subtle movement – a slight turn, a shift of the head and neck, a touch of the cheek. The closeness of each couple, both physically and emotionally, was palpable and quite sensual.

As the lights went down soft string music began, eventually revealing David Pellow playing live upright bass while two dancers took the center of the space. The couple maintained close contact at first, and seemed to be engaged in a gentle struggle of push and pull. Eventually they broke apart, but remained connected by a long band of fabric looped around their bodies.

The slow pace of the music picked up and the dancers responded with quick bursts of movement. Eventually the two freed themselves from the fabric connecting them, but ended up coming back together physically at the end of the section.

For the rest of the show, each couple took their turn entering and exiting the space, sometimes leaving their partner alone for a moment of solo material. Atmospheric music eventually pulsed a rhythmic beat, giving opportunity for the dancers to react with more prominence and weight.

Even when left alone, each performer maintained their connection to the group, sometimes mirroring a couple’s movement from afar, sometimes simply keeping eye contact. That was all part of Porter’s larger point – that despite the distance between us, that empty space remains full and alive.

Like much of Porter’s work, the show lulled the audience into a hypnotic dream-like state, and eased us back to reality slowly with stillness from the dancers, followed by a revisit to the sound that began the show, and finally a gentle lifting of the lights.

As always, Porter thanked the audience and invited everyone to stay for coffee and discussion. While the rest of the world is home on their “pillow,” Porter and her artists find inspiration in the late night musings of life and art. What happened Saturday night after the lights came up will likely be fodder for her next show.


Filed under: Adrienne Totino, Prose, Reviews: Performing Arts