Category: Poetics

On Ekphrastics

By | Blog Archives, Gerry LaFemina, Poetics, Prose

For the last few years, I’ve been working with the Italian photographer Leila Myftija, writing poems in dialogue with her photographs. The photos are varied: one depicts a group of children at the beach, another is a close up of a section of an industrial grate, another a wicker ball. Some conjure my imagination immediately, …

For Future Reference: Notes on a Writer’s Desk

By | Blog Archives, Gerry LaFemina, Poetics, Prose

Like a lot of people these days, my students have a stated conviction that the internet is better than print materials for research. It’s easy to think so. If you know what you’re looking for it may even be true. Need to know what a grackle eats? You can find out. Want to know the …

Skill Set: Notes on Tom Lux, Poetry, and Teaching

By | Blog Archives, Gerry LaFemina, Poetics

In the two months or so since Tom Lux died, I’ve spent a lot of time thinking about what it means to have been his student, which in turn has led me to thinking about what it means to be a teacher of poetry. Much, of course, has been written on this topic, and much …

The Eternal Return of the Same

By | Blog Archives, Gerry LaFemina, Poetics, Prose

Sometime in the late nineties a writer friend of mine said that if you ever wanted to write a Charles Simic poem all you needed was the moon, an alley, a young child, a woman in a babushka, and perhaps a chicken. I thought of this recently after finishing up a first draft of a …

Specs of Dust

By | Blog Archives, Gerry LaFemina, Poetics, Prose

One might think the title is a typo, that I meant “Specks of Dust.”  Speck, from the Middle English “specke” and deeper still to Old English, “specca,” meaning “a small spot, mark, or discolorization” (American Heritage Dictionary).  But it’s no typo. In this case I’m referencing the Latinate “specere”—to look at, to see. As poets, …

The Delicacy of the Image

By | Blog Archives, Gerry LaFemina, Poetics, Prose

Much has been said about the importance of the image to the poem. Images function as touchstones in poetry, they help create the landscape of the poem, provide a means by which the reader imagines the world and context of the poem’s thinking. They are the things that embody ideas, as it were, but they …

On a Poetic Voice

By | Blog Archives, Gerry LaFemina, Poetics, Prose

Many years ago PBS ran a series of television shows about American poetry called Voices & Visions. Each episode focused on one great American poet, and I think that name, Voices & Visions sums up nicely what poetry becomes about for each of us who write it. Voice and vision share a symbiotic relationship within …

“Prayer For Marilyn Monroe”: brief discussion and translation

By | Poetics, Prose

A friend and student of Thomas Merton, Ernesto Cardenal is a Catholic priest in Nicaragua.  A proponent of Liberation Theology, Cardenal served as Minister Of Culture in the Sandinista government. The story goes that Rev. Cardenal wrote this poem right after reading, in an article in Time, of Marilyn Monroe’s death. For my part, I …